Olympia, Wash. · 1991–1997 · Loud & Loaded Records · All ages

Machine Gun Kitty

Collection copy · Not for trade

A three-piece band playing in a low basement under bare bulbs, the singer-guitarist at the microphone, the bassist in a cardigan and glasses, the drummer in overalls, a crowd pressed close at the left
Basement, Olympia, 1992. Forty people were expected. The archive's count is sixty-one.

Safety's off. Always.

p. 2

Statement

Typed in 1991. Retyped for the archive. Nothing added.

Machine Gun Kitty formed in Olympia, Washington, in the winter of 1991, in the kitchen of a rented house on the west side. Pip Delacroix had moved to Olympia from Detroit the year before. She played guitar and had a notebook of songs. June Okafor played bass and had a notebook of addresses. Beth Lindqvist played drums and had a kit, which settled the question of where rehearsals would be held.

The first rehearsal was on a Tuesday. They wrote two songs. One of them was "Fire At Will." Both are still in the set lists the archive holds.

They played their first show eleven weeks later, in a basement, to forty people. They released an EP that summer and sold every copy out of a van. They made two more records. They stopped in 1997, when Beth went to law school. Nobody involved has described this as a breakup. It is recorded here as one because the band stopped.

Safety's off. Always.

Hand-lettered on the inside of the Fire At Will EP sleeve, 1991
Pip on guitar, June on bass and Beth at a small drum kit rehearsing in a cluttered house kitchen, a calico cat sitting on the counter by the dish rack
Rehearsal, the kitchen on the west side, 1991. The cat belonged to the house. It left during the loud ones.

p. 3

The band

Three players. Listed in the order they appear on the Fire At Will sleeve. Nobody was in charge. See p. 7.

Black-and-white photograph of Pip Delacroix singing hard into a microphone with a guitar on, eyeliner running, a crowd behind her
Pip Delacroix, 1993. The eyeliner was applied before the show.

Pip Delacroix

Plays
Vocals and guitar
Years
1991–1997

Pip plays rhythm guitar with the amplifier set past the point of comfort and a right hand that does not stop between verses. She sings the verses low and the choruses at full volume, on pitch. Her eyeliner was applied before every show and did not survive any of them.

“We were not angry. We were specific.”

Now Lives in Olympia. Teaches guitar on weekday afternoons. Has been asked to play again more than once. Has said no each time, politely.

June Okafor in glasses and a long cardigan arranging photocopied zines and cassettes on a folding table, a box of tapes in one hand
June Okafor at the table, 1993. Tapes dubbed in the kitchen the night before.

June Okafor

Plays
Bass
Years
1991–1997

June plays bass with a pick, close to the bridge, at tempos the songs did not always want, and holds them there. She wrote most of the bass lines before the guitar parts existed. She also ran the zine and cassette table at every show, which is why she was always the last one loaded into the van.

“Pip wrote the words. I wrote the address on the back.”

Now Librarian. Manages a public library's zine collection in Portland, Oregon. The collection holds every issue the band ever printed. She did not donate them. She bought them back.

Black-and-white photograph of Beth Lindqvist playing drums, long braids flying, in overalls, a crowd behind her
Beth Lindqvist, 1994. On time.

Beth Lindqvist

Plays
Drums
Years
1991–1997

Beth plays a four-piece kit with two cymbals and does not drop a beat. She counts every song in out loud, in a voice that carries to the back of a basement. People in the South Sound who agreed about nothing else agreed that she was the best drummer in town.

“I kept time. Someone had to.”

Now Admitted to law school in 1997. Graduated. Family court judge.

p. 5

Records

Three records on Loud & Loaded, 1991–1995. Each one was sold first from a table, then from a van, then from shops.

Loud & Loaded Records · 1991

Fire At Will EP

Five songs. Three thousand copies, sold out of a van. The van is still running.

7-inch EP · cassette · 5 tracks · 10:51

  1. Fire At Will
  2. Double Tap
  3. Kitchen Floor
  4. West Side
  5. Half-Page Flyer
Track list →

Loud & Loaded Records · 1993

Suppressing Fire

The important one. Twelve songs, recorded in four days in a converted garage in Olympia.

LP · cassette · 12 tracks · 29:45

  1. Who's In Charge Here
  2. Suppressing Fire
  3. Rain Delay
  4. Photocopy
  5. Minutes of the Meeting
  6. Fourth Avenue
  7. All Ages
  8. Overdue
  9. Sound Check
  10. Older Sister
  11. Last Ferry
  12. Speak Up
Track list →

Loud & Loaded Records · 1995

Cease and Desist

Named after a letter they received. Ten songs. The letter is reproduced on the inner sleeve.

LP · CD · cassette · 10 tracks · 25:33

  1. Received and Filed
  2. Cease and Desist
  3. Dear Sirs
  4. Return to Sender
  5. Lower Case
  6. Without Prejudice
  7. Tumwater
  8. Signed Under Protest
  9. Counter-Offer
  10. Safety's Off
Track list →
Pip carrying a guitar case, June lifting an amplifier and Beth loading cymbal stands into the open back doors of a maroon van in the rain, fir trees behind
Loading out, 1991. The van is still running.

p. 6

History

Four chapters. Typed.

01

The Kitchen (1991)

The house on the west side had a kitchen large enough for a drum kit if nobody used the oven. Nobody used the oven. Machine Gun Kitty rehearsed there three nights a week for most of 1991. A cat that belonged to the house, not to any of the tenants, sat on the counter for most rehearsals and left during the loud ones.

The Fire At Will EP was recorded in two days that summer. Loud & Loaded Records pressed it. The band drove it around Washington and Oregon in a van June had bought for four hundred dollars. They sold all three thousand copies from the back of it.

02

Suppressing Fire (1992–1993)

Suppressing Fire was recorded in four days in a converted garage in Olympia in the spring of 1993. The band had played the songs for a year before they recorded them. It shows. The record is twelve songs and thirty minutes, and none of it is loose.

It is the record people mean when they talk about Machine Gun Kitty. It is the record that people who were sixteen in 1993 still have. Several of them have written to the archive to say so.

03

The Letter (1994–1995)

In the autumn of 1994 a letter arrived at June's post office box. It was on the letterhead of a law office. It asked the band to cease and desist. It did not say from what. It was addressed "Dear Sirs."

The band answered it. They read it aloud at shows for a year. In 1995 they named their third record after it and printed it on the inner sleeve. No second letter arrived.

04

Admitted (1996–1997)

Beth Lindqvist had been studying at night since 1995. She applied to law school in the autumn of 1996 and told the other two the same week. She was admitted in the spring of 1997. Machine Gun Kitty played its last show in Olympia that June, in the basement where it had played its first.

Beth graduated from law school. She is a family court judge. Pip and June attended the swearing-in. They sat in the second row.

Also on file

  • The van

    Maroon. Four hundred dollars. Three thousand EPs. Two transmissions. No radio. Still running.

  • The cardigan

    June wore the same oversized cardigan at most shows between 1992 and 1996. It was gray. She has said it was warm. The archive accepts this.

  • The count-in

    Beth counted in every song out loud, at full voice, including songs that began with the guitar. The band did not start until she had counted.

  • The table

    Every show had a table. On it: the records, cassettes dubbed in June's kitchen, and whatever zines people had brought to trade. Nothing on the table cost more than five dollars.

  • Two sisters, two cities

    Pip Delacroix is the younger sister of Roxanne "Razor" Delacroix of Blackmarket Kittens (Detroit, 1984–1992). Pip saw her sister's band from the side of the stage from the age of thirteen. She has said that is where she learned to stand at a microphone.

p. 7

Correspondence

Incidents on file, and the letter. The letter is reproduced from the inner sleeve of Cease and Desist.

Law Offices ████████████

Spokane, Washington

October 11, 1994

Machine Gun Kitty, P.O. Box, Olympia, Washington

Re: Cease and desist

Dear Sirs:

This office represents a client in connection with the activities of your group.

We hereby demand that you cease and desist from all such activities immediately.

Please confirm in writing within fourteen (14) days that you have complied with this demand.

Very truly yours,

███████████

Which activities? — J.O.

Incidents on file

1991

The Van

Olympia, Washington, and most of the I-5 corridor

June Okafor bought the van in May 1991 from a neighbor who was moving to Alaska. It cost four hundred dollars. It was maroon on the outside and tan on the inside and it did not have a working radio. Between 1991 and 1997 it carried the band to every show they played outside Olympia and sold every copy of the Fire At Will EP from its back doors. It is still running. It is registered to June. It has had two new transmissions and no new radio.

1993

Who's In Charge Here

A hall in Tacoma, Washington

At a show in Tacoma in February 1993, the house sound engineer walked up to the stage during load-in and asked who was in charge here. Pip said she was. June said she was. Beth said she was. He waited for one of them to correct the others. None of them did. He set the levels with all three. The song was written that week and opens Suppressing Fire.

1994

The Letter

A post office box in Olympia, Washington

The letter arrived in October 1994. It was one page, on cream letterhead, from a law office in Spokane writing on behalf of a client it did not name. It asked the band to cease and desist immediately. It did not specify the activity. It was addressed "Dear Sirs." June wrote back to ask what, specifically, the band was to cease. No reply was received. The letter was printed on the inner sleeve of Cease and Desist in 1995. The original is in June's files.

June wrote back. No reply was received.

p. 8

Tour

The Suppressing Fire Tour, 1993. Ten shows. The van went out from Olympia and came back to Olympia. Flyers from the archive's collection.

  1. Machine Gun Kitty

    Olympia

    WA · 1993

    Record release. Basement.

    All ages · $5 · Nobody turned away

  2. Machine Gun Kitty

    Tacoma

    WA · 1993

    The hall from the song.

    All ages · $5 · Nobody turned away

  3. Machine Gun Kitty

    Bellingham

    WA · 1993

    All ages · $5 · Nobody turned away

  4. Machine Gun Kitty

    Vashon Island

    WA · 1993

    By ferry.

    All ages · $5 · Nobody turned away

  5. Machine Gun Kitty

    Portland

    OR · 1993

    All ages · $5 · Nobody turned away

  6. Machine Gun Kitty

    Eugene

    OR · 1993

    All ages · $5 · Nobody turned away

  7. Machine Gun Kitty

    Arcata

    CA · 1993

    Van needed a new transmission.

    All ages · $5 · Nobody turned away

  8. Machine Gun Kitty

    Boise

    ID · 1993

    All ages · $5 · Nobody turned away

  9. Machine Gun Kitty

    Spokane

    WA · 1993

    All ages · $5 · Nobody turned away

  10. Machine Gun Kitty

    Olympia

    WA · 1993

    Home.

    All ages · $5 · Nobody turned away

Set list

  1. Who's In Charge Here
  2. Fire At Will
  3. Rain Delay
  4. Double Tap
  5. Photocopy
  6. Older Sister
  7. Suppressing Fire
  8. Last Ferry

If they ask: Speak Up

Taped to the floor, Olympia, 1993. In Pip's hand.

Beth, Pip and June on the open deck of a ferry under a gray sky, instrument cases on the bench, forested islands behind
Puget Sound, 1993. On the way to the Vashon Island show. Nobody has accounted for the mandolin.

Clippings

Wet Season (fanzine), Olympia · Issue 6, Spring 1993

Machine Gun Kitty Are the Loudest Thing on the West Side

A kitchen, a van and the new record

We talked to Machine Gun Kitty in the kitchen where they practice. There is a cat. The cat does not belong to them. The new record is called Suppressing Fire and it is twelve songs long and every one of them is the best one.

WE ASKED: Who writes the songs?

PIP: I write the words. We all write the songs.

JUNE: The bass lines come first.

BETH: Then I tell everyone how fast.

WE ASKED: What do you want people to take from a show?

PIP: A flyer. A tape. A reason to start a band.

They play the grange hall on Saturday. All ages. Five dollars. Nobody turned away.

Northwest Noise Ledger · November 1995

Cease and Desist (Loud & Loaded)

Record review

The third Machine Gun Kitty record takes its title from a letter the band received from a law office last year. The letter is printed on the inner sleeve. It is the only thing on the record that does not know what it wants.

Everything else does. Beth Lindqvist's drumming is exact. June Okafor's bass carries the melody more often than the guitar does. Pip Delacroix sings like someone reading a statement into the record. "Safety's Off" closes the album at three and a half minutes and it is the longest song the band has recorded. It is not long enough.

Letters to the archive

Received and filed without amendment.

I was sixteen. I bought Suppressing Fire from the table and a bass from a pawn shop the following week. I still play both.

R. Halvorsen, Bellingham, WA

Beth Lindqvist counted in every song so loudly I could hear it in the parking lot. I have never heard a drummer since without waiting for it.

T. Moreno, Eugene, OR

My daughter has my copy of the Fire At Will EP now. She asked where the van is. I told her it is still running.

D. Achterberg, Tacoma, WA

Back page

Get on the list

Records, shirts and printed matter for Machine Gun Kitty are issued through the Sideband Label store, along with the list for anything the archive files next.

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The list is used for new records and merchandise. It is not shared, traded or photocopied.

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MachineGunKitty

Safety's off. Always.

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Olympia, WA · 1991⁠–⁠1997 · All ages